Thursday, January 29, 2009

Graphic books on medicine

It just has to be the coolest topic ever for an MA in Medical Humanities: investigating medical narratives in comics (or 'graphic fiction' as it has come to be known). The man with this enviable task is Ian Williams is a GP, an artist, and now a student at Swansea University. Graphic novels are fascinating for their potent combination of image and text. The first one I came across was 'Mom's Cancer' (reviewed on this blog here). This is a growing genre of pathography: Williams currently lists 24 books on his website. Just this week, Matthew Johnstone and his wife Ainsley were talking on Radio 4's Midweek about their new illustrated self-help guide on depression (aimed mainly at carers) called 'Living with the Black Dog'.

Williams has launched a beautifully designed (as one might expect) website as a resource for health professionals, http://www.graphicmedicine.org/, dedicated to reviewing and discussing
graphic books with a medical theme. Inspired by Arthur Frank's notion of 'The Wounded Storyteller', Williams believes that these books are examples of how sharing the profound experience of illness with others is often part of a healing process. He argues that it is high time that graphic fiction was taken seriously, suggesting that comics and graphic novels could play a valuable role in:
  • Reflecting or changing cultural perceptions of medicine
  • Relating the patient/carer/provider experience
  • Enabling discussion of difficult subjects
  • Helping other sufferers or carers

Although studying comics and graphic books sounds like fun in the name of academia, these books are often harrowing, made all the more poignant by the use of the comic-strip format with its often-ironic 'punchline'.

We wish Ian all the best with his studies and look forward to reading about his conclusions.

Monday, January 19, 2009

Celebrities And Aid: New Humanitarians or Just Another Fad?

We are delighted to invite you to a public debate organised by the LSE Centre for Civil Society and Médecins Sans Frontières as part of the Lent Term Public Events programme at the London School of Economics.

Celebrities And Aid: New Humanitarians or Just Another Fad?
Date: Thursday 5th February 2009
Time: 6.30-8pmVenue: Sheikh Zayed Theatre, New Academic Building
Speakers: Lisa Ann Richey, John Street, Kris Torgeson
Chair: Dr Armine Ishkanian

Why do charities use celebrities to speak out on humanitarian action? Who do celebrities represent? Are they genuinely committed to the causes they espouse or have causes become another path to self-promotion? These are some of the issues that our panellists debate.

Lisa Ann Richey is Associate Professor of International Studies at Roskilde University. John Street is a Professor of Politics at the University of East Anglia. Kris Torgeson is the International Secretary for the Médecins Sans Frontières International Office.

This event is free and open to all with no ticket required. Entry is on a first come, first served basis. Information about coming to LSE can be found on the LSE website or by calling the LSE Events Office on 020 7955 6043 .

Tuesday, December 16, 2008

Frames of Mind

'Broach schizophrene'Brian Charnley (1949-1991)

Frames of Mind: Creativity in Mental Healthcare Exhibition

Discover historic artworks of international renown from the collections of Bethlem Royal Hospital, the original Bedlam, alongside contemporary artworks created by artists supported by the Bethlem Gallery. Over 30 different artists are represented including Richard Dadd, William Kurelek, Stanley Lench, Jonathan Martin, Marion Patrick, Cynthia Pell, Charles Sims and Louis Wain. The main gallery is dedicated to the display of 50 paintings, drawings, digital images, sculptures and ceramics dating from the early nineteenth century to the present day. All of these remarkable works have been created by people who have experienced mental health problems. Also in this gallery you can see videos of artists working with Bethlem Gallery and listen to oral history interviews with mental health service users and providers. In the smaller gallery you can discover the history of mental healthcare from the foundation of Bethlem Hospital in 1247 to the present day. A timeline illustrates the individual and linked histories of Bethlem Royal Hospital, Warlingham Park Hospital and Cane Hill Hospital. You can also find out more about the art-based care services provided in Croydon today.

FREE exhibition in the Clocktower's Temporary Exhibition Gallery. 10 October 2008 - 31 January 2009 Monday - Saturday, 11am - 5pm

East Croydon is 15 minutes on the train from Victoria and the Clocktower Gallery is a 5 minute walk from there. Check here for more information on how to find the gallery.


The Cultural Ramifications of an Ultrasound

This article is contributed by Sarah Scrafford, who regularly writes on the topic of Online Ultrasound Technician Schools. She invites your questions, comments and freelancing job inquiries at her email address: sarah.scrafford25@gmail.com.

You’d think there wouldn’t be a cultural side to a technology that helps look inside your body, but there is, at least in certain parts of the world. An ultrasound scan is a technique that uses sound waves, or to be more precise, ultrasound which has a high frequency and hence cannot be heard by human ears, to create images of organs in your body. The sound waves bounce off body structures and are then compiled by a computer program into images.

Ultrasound is used for a variety of applications and is the preferred form of medical imaging except when there’s bone or gas-filled organs like the lung and bowel to be scanned. It finds extensive use in pregnancy, to monitor the growth of the fetus at different stages and to determine the sex of the baby. And that’s where the cultural aspect comes into play.

Now most people are ok with either a boy or a girl baby; sure, they may have their preferences, but they’re happy with either one if they’re healthy and normal. But there are some parts of the world where a boy child is considered an asset and a girl a liability – China for one, and India for another. With selective sex abortion being a widespread practice in both countries, the respective governments have banned the revelation of the sex of the fetus following an ultrasound examination. But female fetuses are still aborted, contributing to the widely skewed sex ratios in both countries.

In China, it’s an issue that relates to the large population of the country. With the government strictly enforcing the one-child law, parents want it to be a male so that their family name is carried on. Male children are also likely to earn money for the family and look after their parents in their old age.

In India, in addition to carrying on the family name, males are preferred because they are expected to look after their parents and help in the family business. Also, only males can perform certain rituals like last rites and they’re sure to bring dowry (gifts of cash and kind) when they marry. Females are not wanted because they are seen as a financial burden when they must be married – the parents tend to go broke trying to rustle up enough money to cover the dowry demanded by the groom’s family. Although dowry harassment is illegal in the country and punishable with fines and imprisonment, the practice still continues.

The cultural ramifications of a simple ultrasound exam extend as far as skewing the sex ratio of an entire nation. Although the technology is relatively new, it’s fast replacing female infanticide as the preferred method of selective sex abortion. And even though it’s illegal to reveal the sex of the fetus, some radiologists do so for the money, and the practice of selective abortion continues to plague both nations and a few others others in Asia.

Thursday, December 04, 2008

Royal Society of Medicine Exhibition on Ancient Egyptian Medicine

Currently on display in the RSM Library until the end of February. Opening hours: Monday - Thursday 9am - 7pm, Friday 9am - 5.30pm and Saturday 10am - 4.30pm

This major exhibition focuses on ancient Egyptian medicine. It deals with health and disease, how the ancient Egyptians treated and cured it. Find out about Imhotep, the Egyptian god of medicine, and learn about mummification.The displays also include some stunning casts of medical artefacts and scans of other objects from other institutions.


Summer 2009. Sir Arthur Conan Doyle and Sherlock Holmes.
A prizewinning travelling exhibition from the Royal College of Surgeons in Scotland.

Open source ECG project

Here's an interesting new use of Web 2.0 (which encourages the web's potential for multiuser interactivity to create new knowledge) to benefit developing countries. The project aims to enable doctors all over the world to build their own affordable, safe and clinically useful ECGs. By making both the software and hardware solutions open source, it is hoped that a pooling of collective knowledge will result in a working product.

The brand new website is mainly wiki-based which means participants download, edit and upload pages so that, in theory at least, the latest improvements are always available. In my experience these types of collaborative open-source wikis tend to be a bit clunky and hard to navigate, but this site is very well designed and you needn't be particulary techy to use it.

These projects rely on 'goodwill' and a belief in the collectivism of scientific information over commercialism. It's represents a big shift in the way Western science - traditionally rather secretive to protect priority claims - is configured. The project seems to me to be a good idea and I hope that it succeeds.

Sunday, November 02, 2008

Rhetorics of Plague: Early / Modern Trajectories of Biohazard

A Symposium
University at Albany, SUNY
February 26-27, 2009

Call for Proposals

The threat of biological catastrophe—including that by AIDS, ebola, avian influenza, and species extinction—may seem the specific and daunting provenance of late 20th- and early 21st –century life, but it has in fact been a crucial part of history since ancient times. It is important to remember, for instance, that starting in the 14th century and extending well into the 18th, the bubonic plague (as the Black Death) ultimately took the lives of at least 35% of the entire population in Europe, as well as nearly that much in central Asia, killing an estimated total of 75 million people. Given these numbers, it could be argued that premodern and early modern cultures had even more at stake in articulating the role of plague—not to mention the related phenomena of cholera, syphilis, small pox, the so-called English Sweating Sickness, or extensive urban infestations, which are only a few of the shockwaves that preceded our own anxiety about spectacular biological disaster. This symposium therefore proposes rethinking the connections among recent models, representations, or biocultures of biological threat and their counterparts in the pre- and early modern eras.

A focus on the “rhetorics” of plague highlights the ways in which biological danger becomes conceptually organized, ethically ordered, or socio-politically oriented by the discourses that represent it. It also underscores the crossing or hybridization of discourses, such as the ways in which early views of medical pandemic, in the absence of a theory of germ contagion, could be linked to models of ecological or environmental dysfunction, or the manner in which disease of the body natural could metaphorize the maladies of the body politic. Furthermore, in addition to accounting for the interrelated scientific, literary, or philosophical conventions invoked by such discourses, it is important to acknowledge that, like the biological volatility they describe, discourses about plague can undergo their own kind of exponential proliferation, producing a potential plague of rhetorics. While such discourses may have predominantly originated in the metropolitan centers of Europe, there is also the need to account for their transformation or mutation when applied in non-Western or colonial contexts, as well as for the emergence of counter-discourses from non-European sources—such as China or the Middle East—that may have challenged European models of pandemic explanation, particularly as they have undergirded imperial ambitions.

The University at Albany, SUNY, calls for proposals that forge connections between 21st-century contexts and pre- and early modern periods (up to ca.1820) as a way to foster fruitful conversations across disciplinary, national, ethnic, geographical, and historical boundaries. Papers may take up recent work on biohazards, for example, to rethink responses to plague in early periods; conversely, papers may consider what early manifestations of and responses to plague tell us about current pandemic episodes, whether real or imagined, including biohazard as political trope. We welcome approaches from the sciences, social sciences, arts, and humanities and encourage cross-cultural and transhistorical work; papers focusing on biohazard discourses prior to the nineteenth century are particularly desirable. We encourage contributions from graduate students or nonacademics who may be working in areas such as the history of medicine, healthcare, and ecological analysis.

All participants in the symposium will have the opportunity to submit expanded versions of their presentations for consideration as part of a special journal issue planned for publication. More details will soon appear on the symposium website.
More information about the symposium can be found at a link at the Albany Department of English website: http://www.albany.edu/english.

Paper proposals (1-2 pages) should be sent to Professor Helene Scheck, hscheck@albany.com, or Professor Richard Barney, rbarney@albany.edu, by no later than December 10, 2008.

Plenary Speakers:

  • Kathleen Biddick, Professor, Temple University, on plague, sovereignty, and 21st-century political theory
  • Graham Hammill, Associate Professor, University of Buffalo, on the biopolitics of disease during the 17th century
  • Robert Markley, Professor and Romano Professorial Scholar, University of Illinois, Champagne-Urbana, on ecological disaster and disease in 18th-century Britain

    Topics to be considered at the symposium include:
  • How recent logics of epidemic, trauma, virology, or retrovirology find application to or analogues in earlier historical patterns or discourses; how recent logics continue to rely on and/or transform older models of plague, contamination, or disease.
  • The aesthetics of infection; the poetics of contagion.
  • The multiplicity of diseases as generator for “plagues of rhetoric”—uncontrolled proliferation of competing definitions, descriptions, or discourses; or, in turn, the disseminating tendencies of scientific discourse as an engine for an exponential explosion of apparent symptoms, biological entities, ecological effects.
  • The investment of medical or ecological models of pandemic thinking in juridical, legal, political, literary, social, educational, or other pre- and early modern domains.
  • The role of pandemic rhetoric in the management of early modern colonial enterprise or imperial conquest; the relevance of similar biological discourses in postcolonial or recently globalized contexts.
  • The function of counter-discourses of pandemic that emerged from non-Western sources—China, the Middle East, the South Pacific, etc.—in response to European scientific, political, or colonial efforts.
  • The insertion of theological, political, or sociological methodologies into scientific efforts to diagnose massive medical or ecological dysfunction.
  • Philosophy and/as pandemic.
  • The animal—e.g., the bird or rodent—as liminal figure of pandemic transportation or translation: as biological “other” and/or as ambiguous representative of anthropomorphized nature.
  • The transformation of authoritative theological or moral paradigms by emerging scientific analyses of pandemic or contagion.
  • The scientific empiricism of spiritual/moral depravity; the spiritualization of scientifically observed biological threat.
  • The literature of pandemic (e.g., Bocaccio’s Decameron, Defoe’s Journal of the Plague Year); the literary as pandemic (e.g., romance, the novel, “scribbling women,” Gothicism).
    “Modernity”—pre-, early, or post- —as vital historical threshold or suspect analytical crux for narrating the development of plague rhetorics.
  • The interpenetration of biology and culture—termed “bioculture” in a recent special issue of New Literary History (38.3 [Summer 2007])—as a peculiarly postmodern feature of biological threat, or an emergent pattern in pre- and early modern contexts.